resources for horn players
Recent Music That Features Horn (2002)
by Pamela J. Marshall
compiled for the Northeast Horn Workshop by Pamela J. Marshall, 3/15/2002
Composers
Adrienne Albert
Kenneth Amis
Violet Archer
Elizabeth R. Austin
James Bohn
Edith Borroff
Hayg Boyadjian
Matthew Van Brink
Andrea Clearfield
Gia Comolli
Carson P. Cooman
Jean Coulthard
John Diercks
Donald C. Dilworth
John Ferguson
Erika Foin
Ari Frankel
Lene Granager
Jorge V. Grossmann
Kenneth A. Jacobs
Dennis Leclaire
David Macbride
Pamela J. Marshall
Thea Musgrave
Lior Navok
Maria Newman
Judith Olson
Kay von Randow
Elizabeth Raum
Erika Raum
Paul Schulz
Antoine Tisne
Rosemary Sugden
Waltzer
Beth Weimann
Michael Weinstein
Donald Wheelock
Yehudi Wyner
In this list you'll find recent music by lesser-known independent composers, as well as famous published works. The list emphasizes music written since 1980, although there are some earlier pieces too. The list covers works that use one horn in non-standard ensembles from solo to trio (no brass or woodwind quintets or multi-horn pieces).
For this list, composers submitted information about their music and I got some information from other sources. I asked composers to provide data on range and difficulty as well as how to get the music.
This list is a snapshot of music available in 2002. I'm not adding to it at this time and composer information may not be current. It's still worth pursuing this music to discover something new!
Unaccompanied Horn & Horn and Recorded Sound
Go to: With Keyboard With Other Instrument Mixed Trios
Matthew Van Brink, Horn O' Plenty
for solo horn
Duration: 8 minutes
Comments: Several short character pieces spanning the instrument's range of expression.
Availability: from the composer, 1277 Commonwealth Ave. #212, Allston, MA 02134
(617) 782-2229, mvanbrin@alumni.indiana.edu
John Ferguson, Concert Piece for Song Lee Halbeisen
for solo horn
Duration: 12 minutes
Comments: Virtuosic piece in four sections, large range, leaps, long muted tones, fast repeated notes, glissandi
Availability: from the composer, 19 Colliston Road #2, Brighton, MA 02135 USA johfergu@yahoo.com
Cost: $10
John Ferguson, Cadenza to Mozart horn concerto No. 4
for solo horn
Duration: 2 minutes
Comments: idiomatic, Mozartian, effective cadenza
Availability: from the composer, 19 Colliston Road #2, Brighton, MA 02135 USA johfergu@yahoo.com
Cost: $5
Ari Frankel, [how to] Handle Handel
for solo horn
Duration: app. 1'40", less then 2 minutes
Comments: only moderately difficult, and jumping ranges, this is an appropriate "showoff" piece: short, concise, moving from tonal to non-tonal and back. Tempo is mostly quarter=120 with many eighth note triplets.
Availability: from the composer, see it online at http://www.arifrankel.com/handle.html or contact the composer at Cameral Music, 617 469 3963 or 917 348 0760.
Cost: none
Kenneth A. Jacobs, NIGHT COVERS ALL (1992)
for Horn and Synthesized Sound
Duration: 21 minutes
Movements: (can be played separately) "Death", "Valediction", "Purification", and "Transfiguration".
Comments: The middle two are difficult, the outer movements very difficult, especially the last. Range is to high C. Recorded by Calvin Smith on Zyode DS1014 compact disc.
Availability: Score with synthesized accompaniment on CD from the composer, School of Music, University of Tennessee, 1741 Volunteer Boulevard, Knoxville, TN 37996-2600, kjacobs@utk.edu, 865-974-7556 office, 865-539-6159 home.
Cost: not specified
Dennis Leclaire, Five Miniatures
for solo horn
Availability: Contact the composer for information, 2039 Bay Road, Sharon, MA 02067
Pamela J. Marshall, Colored Leaves (1994)
for solo horn
Duration: 6 minutes
Movements: 1. Crisp and Cool, 2. Aria - Whistling Wind
Comments: Moderate difficulty. Arpeggios must be played fluidly. Composed for low horn players, range to G Student contents requirement at the Southeast Horn Workshop in 1996. Movements can be performed separately.
Availability: Spindrift Music Company. 38 Dexter Road, Lexington, MA 02420, www.spindrift.com, pmarshall@spindrift.com, 781-862-0884.
Cost: $6
Pamela J. Marshall, Jazz-Inflected Etudes (1998)
for trumpet or any treble-clef instrument
Duration: 6 minutes
Movements: 1. Hearth, 2. Skyscape, 3. I Mourn
Comments: The player is invited to bend tones, add ornaments, use mutes, and interpret the music as they see fit. It's fun to do on horn. Movements can be performed separately.
Availability: Spindrift Music Company. 38 Dexter Road, Lexington, MA 02420, www.spindrift.com, pmarshall@spindrift.com, 781-862-0884.
Cost: $6
Pamela J. Marshall, Miniatures for Unaccompanied Horn (1973)
for solo horn
Movements: 1. March, 2. Motion, 3. Lament, 4. Song, 5. Echoes
Comments: Character pieces of moderate difficulty, with some effects such as tapping on the mute and singing while playing. A subset of movements can be played.
Availability: Raoul R. Ronson, Seesaw Music Corp., 2067 Broadway, New York, NY 10023, (212) 874-1200
Thea Musgrave, The Golden Echo I (1986)
for horn & tape
Also: The Golden Echo II, hn., 16 accomp. hns
Availability: Novello
Lior Navok, Six pieces for Solo Horn (1995)
for solo horn
Total duration: 15 min.
Comments: Six character miniatures
Availability: From the composer, 617-867-9303, liornavok@hotmail.com, http://www.liornavok.com
Cost: $5 (to cover copying and shipping)
Elizabeth Raum, Idiom for French Horn
for solo horn
Duration: 6 minutes
Comments: Written for Philip Myers of the New York Philharmonic. It is fairly difficult but can be played by a good student. The piece incorporates the idioms the French horn is often required to play (hunt scenes and such).
Availability: Free loan or purchase from the Canadian Music Centre at www.musiccentre.ca or phone: 416-961-6601. The Canadian Music Centre is a lending library of the works of associate composers.
Erika Raum, The Confessions of St. Augustine
for solo horn
Duration: 6 minutes
Comments: Commissioned by Jane Aspnes for premiere on December 29, 2000 at the Donne in Musica concert series in Rome for the Jubileaeum A.D.2000. A tone poem to be played freely much as a fantasy with the dynamics and phrasing more suggested than imposed. The scenes depicted in music of the life of St. Augustine go from the Youth and Pagan Beginnings to the Debate at the Baths of Sozius. The piece is quite difficult.
Availability: Contact Elizabeth Raum at elizraum@sk.sympatico.ca.
Antoine Tisne, Monodie V Pour Un Espace Sacre (For a Sacred Space)
for solo horn
Duration: ca 7.00
Comments: Antoine TisnŽ's music is inspired by mystical subjects (in the manner of a Jolivet or Messiaen). The work is an introspective work which seeks to create a "sacred sound space" in the place it is played. Medium difficulty, with one passage which requires the player to play and sing at the same time.
Availability: Musik Fabrik Music Publishing 18, rue Marthe Aureau 77400, Lagny sur Marne FRANCE http://perso.chello.fr/musik
Cost: $8.95
Michael Weinstein, Sonata (1997)
for solo horn
Michael Weinstein, Three Pieces (1981)
for solo horn
Availability: Micha Music, 752 Old Marlboro Road, Concord, MA 02174, 978-369-1854
Horn and Keyboard
Go to: Unaccompanied With Other Instrument Mixed Trios
Adrienne Albert, Four Movements Minus One (2001)
for horn & piano, formerly Climate Control
Duration: ca 13:00
Movements: 1. SPRING TIME, 2. DEWPOINT, 3. WINDSWEPT
Comments: Somewhat challenging. Since each piece may be performed individually, difficulty ranges from moderate (Dewpoint) to moderately difficult (Spring time and Windswept). Movements may be played individually.
Commissioned by Jeannie Pool. "Spring Time" is a play on the words and a work which is sprightly and springy like a child's Slinky toy. "Dewpoint" has a brooding, moody quality which is like mist on a landscape. In the final movement, the piano has a cascading motif of triplets and swirls like a great "Windswept" pattern across the plains.
Availability: Kenter Canyon Music (ASCAP). For more information, contact composer at: adrienne@adriennealbert.com and http://www.adriennealbert.com
Cost: not specified
Kenneth Amis, Preludes 1-5 for Horn (2000)
for horn & piano
Duration: 20.5 minutes
Comments: For the intermediate to advanced player (collegiate- professional). Range from concert Eb below middle C to concert high F). Movements can be performed separately. The music is tonal. The composer plays tuba for Empire Brass.
Availability: www.AmisMusicalCircle.com. For a free catalog write to Amis Musical Circle, 282 Pleasant Street, Norwood, MA 02062-4229 or call 888-299-3791
Cost: $22.00
Violet Archer, Sonata (1965)
for horn & piano
Availability: Canadian Music Centre at www.musiccentre.ca or phone: 416-961-6601.
Elizabeth R. Austin, PRAGUE SONATA (2000)
for horn & piano
Duration: 12:00 ca
Movements: I. in time..chronos.. , II. Light streaming..outside of time..kairos, III.Villanelle
Comments: Of advanced medium-difficult level
Availability: American Composers Alliance or from the composer, 9 Eastwood Road, Storrs, CT 06268-2401, ginkgi@msn.com, Tel. 860-429-1279
Cost: $10
James Bohn, Sonata #1 for Horn and Piano
for horn & piano
Duration c. 5'
Movements: 1 Allegro (or faster), 2 Slowly, 3 Adagio (or faster)
Comments: intermediate collegiate level (written E4-B5)
Availability: From the composer:, Music Department, University of Massachusetts Dartmouth, 285 Old Westport Road, North Dartmouth, MA 02747
508.999.8570, jbohn@umassd.edu, http://www.mp3.com/jbohn, http://www.umassd.edu/music/jbohn
Cost: $1
James Bohn, Sonata #2 for Horn and Piano
for horn & piano
Duration c. 5'
Movements: 1 Adagio, 2 Largo, 3 Allegro
Comments: intermediate collegiate level (written G3-A5)
Availability: From the composer, Music Department, University of Massachusetts Dartmouth, 285 Old Westport Road, North Dartmouth, MA 02747
508.999.8570, jbohn@umassd.edu, http://www.mp3.com/jbohn, http://www.umassd.edu/music/jbohn
Cost $1
Edith Borroff, Sonata
for horn & piano
Duration: ca 13 minutes
Movements: I. Rhapsody, II. Scherzo, III. Sarabande, IV. Estampie
Comments: Recorded by Cynthia Carr on "Images: Music for Horn and Piano" .
Availability: Robert King, www.rkingmusic.com
Cost: $13.80
Hayg Boyadjian, Ode à Nayiri (1986)
for horn & piano
Duration: 6 minutes
Comments: Medium difficulty. The music has an Armenian influence.
Availability: From the composer, 43 Fern St., Lexington, MA 02421, haygboya@rcn.com, 781-862-9395
Cost: $5
Andrea Clearfield, Songs of the Wolf (1994)
for horn & piano
Duration: 16 minutes
Movements: I. Wolf Night, II. La Loba
Comments: Commissioned by Froydis Ree Wekre. This piece utilizes many of the colors and effects of the horn, as well as its entire range. There are both lyrical and rhythmic passages. The piece has been described as mythic, beautiful and intense. The first movement was inspired by the haunting poem, "Songs of the Wolf", by Manfred Fischbeck (reproduced on the inside cover of the published copy). The second movement is drawn from the story "La Loba" by Clarissa Estes from her book Women Who Run With the Wolves. Moderately difficult, with ossias provided for ease of playing.
Recorded by Cynthia Carr on "Images: Music for Horn and Piano" .
Availability: JOMAR PRESS, email: mschultz@jomarpress.com
Cost: not specified
Carson P. Cooman, Of Ice and Silver Swans (2001)
for horn & piano
Duration: 4 minutes
Comments: The work is an accessible duo, making use of some ad libitum techniques. Gives the horn a number of lyric movements.
Availability: MMB Music, Inc. (St. Louis, MO); www.mmbmusic.com
Cost: $9.95
Jean Coulthard, Fantasy Sonata
for horn & piano
Duration: c. 12 minutes
Comments: moderately advanced difficulty; one continuous movement beginning Moderato grazioso
Availability: loan from the Canadian Music Centre at www.musiccentre.ca or phone: 416-961-6601.
Cost: not known
JOHN DIERCKS. Suite on Ton-Y-Botel
for Horn and Organ
Comments: Commissioned by Ralph Lockwood.
Availability: From the composer's Crystal Spring Music Publishers, Inc., 250 OHUA Avenue #10, E. Honolulu, HI. 96815
Donald C. Dilworth, Seven Attitudes for Horn
for horn & piano
Duration: ca 9 minutes altogether
Comments: The music has no passages of serious technical complexity, although the entire range of the horn is used, and there are many wide leaps.
Availability: From the composer, dilworth@gwi.net, 207-633-4045 in Maine.
Cost: no charge
John Ferguson, Five Pieces for Eric Ruske (currently in progress)
for horn & piano
Duration: 10 minutes
Comments: moderately difficult piece in five contrasting movements
Availability: From the composer (soon) , 19 Colliston Road #2, Brighton, MA 02135 USA, johfergu@yahoo.com
Cost: $10
Erika Foin, The Empire of Lights
for horn & piano
Duration: 12 minutes
Comments: It is a medium-to-hard piece with a moderate tessitura.
Availability: From the composer, efoin@earthlink.net
Cost: Copying cost
Jorge Villavicencio Grossmann, Insecta Musicalis
for horn & piano
Duration: 6 minutes
Comments : medium difficulty, leaps, some high writing
Availability: From the composer: e-mail: jorgevg@bu.edu; webpage: people.bu.edu/jorgevg
Cost: none
Kenneth A. Jacobs, RIVULET (1988)
for horn & piano
Duration: 4 1/2 minutes
Comments: Moderately Difficult. Recorded by Calvin Smith and Fay Adams on Zyode DS1016 compact disc.
Availability: From the composer, School of Music, University of Tennessee, 1741 Volunteer Boulevard, Knoxville, TN 37996-2600
kjacobs@utk.edu, 865-974-7556 office, 865-539-6159 home
Dennis Leclaire, Nocturne
for horn & piano
Dennis Leclaire, Episode
for horn & piano
Dennis Leclaire, Three Fairy Tales
for horn & piano
Availability: Contact the composer for information, 2039 Bay Road, Sharon, MA 02067
Thea Musgrave, Music for Horn and Piano (1967)
for horn & piano
Duration: 14 minutes
Comments: Difficult. Recorded by Gail Williams on a Summit Records CD.
Availability: Chester Music
Cost:
Judith Olson, Four Fables
for horn & piano
Duration: Approx 7 minutes
Movements: Four, untitled
Comments: Recorded by Cynthia Carr on "Images: Music for Horn and Piano" .
Availability: Hornseth Music
Cost: not known
Kay von Randow, Laudamus te (1981)
for horn & organ
Duration: ca. 2 minutes.
Movements: One: Adagio - wie von ferne (as from afar )
Comments: Level is lower intermediary. Working range is a - e2. The music sounds beautiful wafting through a cathedral.
Availability: Inner Spheres Music, inner-spheres-music@nexgo.de
Cost: $ 9.50
Kay von Randow, SeaDream (1980)
for horn & piano ( version with Organ available )
Movements: 1. con expressione, 2. tempo giusto
Duration ca. 6 minutes
Comments: Level is Intermediary. Working range is a - g2, + pedal A. This is the first of several pieces written for friends David and Helen Woodgates, and reflects differing aspects of the sea.
Availability: Inner Spheres Music, inner-spheres-music@nexgo.de
Cost: $12.50
Kay von Randow, ...als die Stille starb (...when inner peace died ) (1999)
for horn & piano ( version with Organ available )
Movements: 1. quasi recitativo; pesante, passionato, 2. quasi recitativo; wie im Traum (dreamlike), 3. quasi recitativo; tranquillo
Duration: ca. 14 minutes
Comments: Advanced, Working range: d - g2, + pedal A1. First conceived for Horn/Organ, and inspired by the horn player Felicitas Lehmann, the music embodies my emotional reaction to the plight of the Kosovo Albanians in 1999. It relates, in particular, to the total destruction of the human dignity of the individual, and of the stability and security of daily life. Each of the three movements begins with an outcry like the voice of someone who is overcome by the terrible fate of his people.
Availability: Inner Spheres Music, inner-spheres-music@nexgo.de
Cost: $ 16.50
Kay von Randow, 6 pieces in Music for Young Players Series Vol. 1 (2002)
for horn & piano
Duration: ca 14 minutes
Movements: 1. Clara's Blues, 2. Columbine, 3. LightDream 2, 4. Pinocchio, 5. Rübezahl, 6. Salomons Eiland
Comments: equivalent to Grade 4 - 6 of the English ABRSM. Range: f -f2. These are, quite simply, FUN !
Availability: Inner Spheres Music, inner-spheres-music@nexgo.de
Cost: $ 16.50
Elizabeth Raum, Sherwood Legend
for Solo Horn & Orchestra (piano reduction available)
Duration: 25 minutes
Movements: 1. The Swashbuckling Hero, 2. The Pensive Romantic, 3. The Unabashed Scoundrel
Comments: Commissioned by Kurt Kellan and the Calgary Philharmonic. As Kurt Kellan is a long time fan of movie music, this concerto is based on the legend of Robin Hood and is, in effect, movie music without the movie. It is fairly difficult requiring a professional soloist. Hear excerpts on Elizabeth Raum's web site (www.elizabethraum.com).
Availability: Free loan or purchase from the Canadian Music Centre at www.musiccentre.ca or phone: 416-961-6601.
Elizabeth Raum, Romance
for Horn & Piano , also available for French Horn & Chamber Orchestra
Duration: 5 minutes
Comments: Commissioned by the Concours de Musique du Canada as the test piece for French Horn. It is very melodic and romantic but not technically difficult. It was originally for horn and piano but the composer's husband requested that she write a version for trombone and orchestra, so there are now versions for trombone, bassoon, and cello as well as the original for horn.
Availability: Free loan or purchase from the Canadian Music Centre at www.musiccentre.ca or phone: 416-961-6601.
Cost: not specified
Elizabeth Raum, Fantasy
for horn & piano
Duration: 7 minutes
Comments: This piece was originally for trombone and piano but on the request of hornist, Kurt Kellan, it was transcribed for horn and piano. It is of moderate difficulty, very melodic and romantic.
Availability: Warwick publishers
Cost: not specified
Michael Weinstein, Sonata #2 (1991)
for horn & piano
Michael Weinstein, Sonata #1 (1985)
for horn & piano
Availability: Micha Music, 752 Old Marlboro Road, Concord, MA 02174, 978-369-1854
Horn and One Other Instrument
Go to: Unaccompanied With Keyboard Mixed Trios
John Ferguson, Melody
for horn and violin
Duration: 3 minutes
Comments: Moderately easy piece, horn and violin double in octaves, some special effects.
Availability: From the composer, 19 Colliston Road, #2, Brighton, MA 02135 USA johfergu@yahoo.com
Cost: $8
Lene Grenager, Nachts
for horn & percussion
Duration: 10'
Availability: Contact Norwegian Music Information Centre.
Cost: not known
David Macbride, Elegy (2001)
for horn & percussion
Comments: Written for Adrienne Bonner Wiggins, horn and Tracy Wiggins, percussion. Premiere Monday, April 22, 2002 8 PM Berkman Recital Hall, Hartt School, University of Hartford.
Availability: For further information, call (860)768-5566
Cost: not specified
Rosemary Sugden Waltzer, Suite
for horn & trumpet
Movements: 1. Moderato, 2. Playfully, lilting, 3. Cantabile, legato, 4. Molto espressivo, freely (horn alone), 5. March
Duration: 10 minutes
Comments: Horn range G - b flat''; C Trumpet range f - g''; Trumpet part printed in C
Availability: From the composer, RosesCorF@aol.com or 16 Sandusky Road, New City NY 10956
Cost: $10
Beth Wiemann, Skin and Bones
for horn & flute with computer-generated sound (played from compact disc)
Duration: 8 minutes
Comments: Electronic sound provides a rhythm-track for 2/3rds of the piece, with the horn and flute parts trading notated solos over the track for the beginning of the piece, and later playing homophonically. Moderate difficulty.
Availability: From the American Composers Alliance or the composer, 131 West Broadway, Bangor, Me 04401, 207-581-1244, beth.wiemann@umit.maine.edu
Cost: $15 for parts and CD, with demo CD of premiere performance
Maria Newman, Kestral and Leonardo (1996)
for Soprano & Horn
Comments: On Poems of Susan Musgrave
Availability: Contact the composer at phone 818-951-1139, e-mail thatchers@earthlink.net
Mixed Trios with Horn
Go to: Unaccompanied With Keyboard With Other Instrument
Gia Comolli, Horn Trio (2000)
for horn, violin, piano
Duration c. 25 minutes
Movements: I. Maestoso II. Bouncy III. Andante and IV. Vivace.
Comments: The piece is accessible for (good) players and listeners.
Availability: From the composer at giamuse@verizon.net, www.gia-comolli.com
Cost: $35 plus shipping and handling.
Dennis Leclaire, Diana's Nocturnal Hunt
for voice, horn, piano
Availability: Contact the composer for information, 2039 Bay Road, Sharon, MA 02067
Pamela J. Marshall, Watchmen for the Morning (1975)
for voice, horn, piano
Movements: 1. March, 2. Motion, 3. Lament, 4. Song, 5. Echoes
Comments: Texts from Psalms.
Availability: Raoul R. Ronson, Seesaw Music Corp., 2067 Broadway, New York, NY 10023, (212) 874-1200
Cost: not known
Pamela J. Marshall, Waves and Fountains
for oboe, horn & piano
Duration 8 minutes
Comments: Commissioned by Trio Arundel. Rhythmically intricate and melodically expressive piece. The piano part is the most challenging. The music is filled with water images: flowing, trickling, dripping, churning.The piece grew from a fountain motive from her opera "Melete": a rushing upward scale followed by flowing lines that move both up and down. The diminished scale influenced the melodies and enriched the harmonies, providing mixed major and minor sounds.
Availability: Spindrift Music Company, 38 Dexter Road, Lexington, MA 02420, www.spindrift.com, pmarshall@spindrift.com, 781-862-0884
Cost: $16
Donald Wheelock, Fantasy (1974)
for horn, violin, piano
Duration ca. 10 minutes
Comments: The piece, while chromatic and quite difficult, is tonally oriented, quasi-impressionistic and, for much of its length, contrapuntal. While the instrumentation is obviously reminiscent of Brahms, the music in no way resembles the music of that composer. The music is a piano score plus two violin/horn double parts.
Availability: From the composer, Music Department, Smith College, Northampton, MA 01063. dwheeloc@smith.edu, (413) 585-3187
Cost: $20, negotiable.
Elizabeth Raum, Pantheon
for violin, horn, piano
Duration: 12 minutes
Movements: 1. Eos: Goddess of the Dawn; 2. Fates (Moirae); 3. Aphrodite; 4. Zeus and Hera; 5. Artemis (Diana) Goddess of the Moon and the Hunt; 6. Hermes (Mercury) of the Winged Sandals (for horn and violin along); and 7. Apollo.
Comments: Commissioned by the Scotia Festival in 1999 for premiere by Erika Raum, violin, Philip Myers, horn, and Peter Allen, piano. It is fairly difficult requiring at least university level students to professionals. Part of Aphrodite can be heard on Elizabeth Raum's web page.
Availability: Free loan or purchase from the Canadian Music Centre at www.musiccentre.ca, 416-961-6601.
Cost: not specified
Paul Schulz, ELEMENTS
for horn, bass clarinet, organ
Movements: AIR-FIRE-EARTH and WATER
Availability: From the composer, 5610 37th Avenue S., Minneapolis, Minn. 55417
Cost: not specified
Michael Weinstein, Four Rilke Songs (1992)
for soprano, horn, piano
Availability: Micha Music, 752 Old Marlboro Road, Concord, MA 02174, 978-369-1854
Michael Weinstein, Trio (1993)
for violin, horn, piano
Duration: ca 16 minutes
Availability: Micha Music, 752 Old Marlboro Road, Concord, MA 02174, 978-369-1854
Cost $15
Yehudi Wyner, Horntrio (1997)
for violin, horn, piano
Duration: ca 25 minutes
Movements: I. Maestoso; subito animato, II. Molto sostenuto, III. Presto Precipitoso
Comments: Written as a consortium commission organized by Jean Rife for 30 groups, and subsequently nominated for the Pulitzer Prize. Very difficult and dramatic.
Availability: not known
Cost: not known
List compiler Pamela J. Marshall is a composer and horn player.
She is a member of the Concord Orchestra and Just In Time
Composers and Players (www.justintimecomposers.org).
See her music at spindrift.com.